第一名 (Number 1)
Drawing on the imagery of puppetry and symbols of femininity, this piece attempts to illustrate the destructiveness of a perfectionist mentality, how we will eventually unravel ourselves till there is nothing left to hold. It explores the intersections of my identities - an older sister, a “gifted child", an immigrant family, a dancer.
In this performance, 10 audience members select a piece of paper from a bowl, which is then placed on the ground in a circle surrounding a white crotchet dress hung from the ceiling. Each piece of paper contains a declaration of what “I am good / bad at”, responses collected from the audience which are read as I dance. I then proceed to put on the dress and cut a hole in its centre, allowing the yarn to unravel as I moved. With each phrase of movement, the dress unravels more, tangling around the body, the unraveling of the self in pursuit of perfection. At the end of the performance, I remove the broken garments and leave, unsheathing the marionette string that restricts the body.